And now that you’ve got the song stuck in your head for the rest of the day, here’s a summary of the module creation process.
Below is a link to my course profile. I’d paste it all here, but it ended up being around five pages, so I’ll save you the scrolling. Here it is.
As well, here are the links to the creation process of the Hamlet unit:
Each of the blog posts details different aspects of the creation process that I went through to get to the final product. I go more in depth about what decisions I had to make as well as the rationale behind the choices I made in my summary of learning (coming soon!)
Onto the feedback.
As a whole, the feedback was positive. I received comments about how engaging the content could potentially be, as well as positive feedback on the structure/shell of the course.
One comment about splitting the video into “episodes” was really smart and I don’t know why I didn’t think of it sooner.
It would solve a few accessibility issues: watching shorter videos means that it won’t take as long to load on slower internet, students could watch only what they needed without having to rewind and fast forward constantly, and it would give more time to digest the information by allowing students to break in between episodes. While I don’t have time to do this currently, I will be re-recording the video in the future to make it shorter.
As well, there were a couple questions about feedback and assessment and I totally get where they’re coming from. I guess, as a teacher, sometimes I think that people can read my mind because I have everything set out in my head exactly as I want it to be. Sometimes it doesn’t translate exactly from my head to paper when trying to explain what I want to accomplish with a unit or a task. In the future, when reviewing this module, I’ll definitely be adding more information about assessment.
One thing that seemed to get rave reviews was my Hamlet Bingo. It’s also one of my favourite assignments to give because it creates a sense of collaboration and competition. I usually give out a small reward to the person who comes to me by the end of Act 5 with a complete, properly noted bingo sheet.
Onto my soapbox.
One further aspect of the feedback I’d like to address is the part of my video where I mention Hamlet dies. The reviewer mentioned that it may spoil the play for students. My rationales for indicating Hamlet dies are plenty. First and foremost, Hamlet,as a play, is over 400 years old and an integral part of English language. Hamlet’s death is a part of our shared cultural knowledge. As well, letting students know what to read for helps them empathize with the characters and their decisions. I find it heightens the sense of dramatic irony. Finally, students have been exposed to potentially two other Shakespearean tragedies (Romeo and Juliet and Macbeth). In order to teach Shakespearean tragedies, the student must understand that Shakespeare has created a society that is disordered and imperiled. For the society to become whole again, a sacrifice must be made and the tragic hero makes it.
And off my soapbox.
The feedback was appreciated, though I wish the reviewers had somehow maintained their anonymity. It is kind of awkward to be getting the code for the class and see classmates’ names.
I enjoyed the process of examining classmates’ hard work and their modules and I appreciated the feedback I received because it really informs my teaching for the future of my blended classrooms!
This semester has flown by unbelievably fast. I can’t believe it’s almost April, though where I am, spring seems to have forgotten us.
I’ve completed my course prototype and I think it was absolutely worth it. When Katia and Alec first described what the course prototype would be, I was excited for the final project.
Finally, something that I could use beyond the class ending. This was infinitely a better final assignment than a long-winded essay on something I wouldn’t care about two days from the class ending.
Figuring out what I wanted to do and how took much less time than I feared. Because I have access to GAFE, I knew I wanted to use Google Classroom. I felt this would have the greatest impact on my future teaching because I would actually be building something I could use and reuse.
Once I had established how, I needed to focus on the what. I wasn’t sure if I wanted to work on perfecting a class I’ve taught a million times (I’m looking at you, ELA 9) or work on a class I’ve only taught a handful of times (ELA B30 and ELA 20).
I decided that while I have time and patience (well, some of each), that I should work on a course that I don’t have as many resources for. So, my unit introduction on Hamlet began.
I used elements of the unit I’ve taught previously, but wanted to challenge myself to make it more accessible and less dependent on being in class, so I experimented with iMovie.
I have zero — and I mean ZERO — experience video making or editing beyond my Summary of Learning for EC&I 830. I’ve always thought video editing was too picky and time-consuming for my taste.
I started by experimenting with the trailer function of iMovie and found it ridiculously easy to use. So, I started putting together my video for the Hamlet introduction by creating a presentation with all of the information, screenshot (screenshotted?) all the slides and put my video together.
I really learned a lot about the editing power of iMovie as I had to make sure my voiceover matched the length I had chosen for my pictures and how to make them equal.
I think I’ve found a new love in iMovie.
This process has really made me think about how I’m presenting content in my class: how easily is what I’ve asked my students to do translatable to other mediums? Can a word doc become something more? Can a lecture become something else? How hands on is my content? Are there opportunities for revision?
All in all, I’ve enjoyed this final project more than any other one I’ve encountered in my grad studies because I’m able to use it right away and it is something I created for myself for my practice rather than for a professor and their practice (sorry, Alec and Katia). A highly selfish project, but also the best project.
It’s most definitely nearing the end of the semester.My blood pressure is always an accurate measure.
Working on blog posts, summary of learning, and the module is definitely keeping me hopping.
Last week in class, we had the breakout sessions to discuss potential criteria for our final project. One of the comments from Bill Cook really got me thinking.
How is authenticity affected by the degree of openness? Is it possible to support “authentic” learning in a closed forum or discussion space? Is authenticity guaranteed if we open the conversations to the online world?
Bill wondered about identity and how we, as educators, can guarantee that who we’re teaching is who we’re supposed to teach, specifically related to assessment.
How do we know that what we’re getting is actually from the student whose name is on it? In a strictly face-to-face class we can assign in-class assessments that we can monitor. With online classes, there’s a greater degree of trust on the part of the educator. Teachers, notorious control-freaks, must relinquish power and control.
However, it is concerning just how can we tell if what a student has done is actually their and not a sibling or a former student? This is an honest question. I don’t know. Maybe that’s an argument for blended learning rather than strictly online?
This is a puzzle that I hadn’t considered but I’d like to hear what others think. I don’t know why this hasn’t occurred to me previously.
I think this is going to change how I proceed with assessment in my final project as well.
What do you think? How can assessment in a strictly online class be monitored for authenticity?
Today’s blog post will attempt to answer the questions posed by Alec and Katia about the authenticity of interaction in my course prototype.
As I discussed before, my prototype will be about Hamlet. Shakespeare is unique in that the curriculum mandates a Shakespeare play be taught in ELA B10 and ELA B30:
Therefore, a student in ELA B30 will study Shakespeare as a teacher-guided text, but it is up to the individual teacher as to which of the four plays to study.
Before I discuss interaction between students/instructors, I want to elaborate on my hypothetical student body.
My “class” would comprise of many students with many needs: high absenteeism (due to whatever reason: home life, vacations, sports etc.), a significant EAL population, students with diagnosed and undiagnosed LD for which they may or may not be receiving extra support, and a “middle of the road” population. These categories may overlap (an EAL student who is absent and has an LD). To me, this is a typical classroom at the school I teach at.
My course prototype/module is an introduction to Hamlet, which is the context for the play, a character overview, and a plot overview through a video, which will be posted on a Google Classroom (when I actually teach the class. For the purposes of this class, it will posted to my blog)
For the interaction portion of this module, I want to start with a Flipgrid set, which scenarios related to the play for students to pique interest in the play and themes (for the specific questions, you’ll have to wait for the module!)
Furthermore, students will split into groups for a theme presentation project, for which they’ll use Google docs/slides to collaborate.
If I were creating the entire unit on Hamlet, there would be integration of quick Kahoots for comprehension, various selections from here, Hamlet bingo (if you’re interested in what this is, let me know and I’ll send you the doc), and the culminating assignment of a comparative essay.
Because this will be on a Google Classroom, students will have the opportunity to interact on assignments with both myself and others through forums. There will be reflection questions based on the current portion of the play. Students will not have to discuss every prompt; they will be numbered and assigned a specific set of prompts and are required to interact on their prompts only. For the purpose of the assignment, prompts/discussion will take place on my blog for accessibility.
Because my hypothetical class would have in-class time as well as components online, there’s a mix of in person and online interactions.
Using Schwier’s chart, there are elements of mutuality in the group assignments and using technology that’s generally available or can be shared (i.e., school laptops, cellphones).
As for assessing student interactions, on the Classroom will be formative assessments (comprehension of the question and the thoroughness of their response). The summative assessment is the culminating essay, which students will be able to use ideas developed in their responses. Essentially, the questions/responses on the Google Classroom will act as pre-writing.
As well, students will be assessed on their thematic presentation, which should be completed in a collaborative space, such as Google docs/slides.
I really didn’t mean to write so much and I hope this is understandable and not as stream-of-consciousness as I fear.
Any suggestions for further formative assessments would be greatly appreciated! I’m looking for ones that show a general comprehension level (such as the Kahoot or Menti) and ones that show individual comprehension (like exit slips)
This week I decided to look into something that has been talked about a lot in class: iMovie.
I know, I know. How original. I’ve never used it before and didn’t know I had it on my iPad. On a whim, I looked through my apps and lo and behold, I had iMovie.
So I decided to give it a go:
I tried to replicate the video on Adobe Spark (using the app on my iPad) and was instantly frustrated. I have nothing to show for my half hour attempt at using the app. Maybe it just wasn’t meant for doing that? I’ll have to try it using a different idea.
I found iMovie incredibly easy to use, though I just used their trailer function. I think it created a polished, cohesive product that was quick and intuitive to do.
I think I can use iMovie to create my module, though I don’t think I’ll use the trailer aspect, but create from scratch.
Fingers crossed it works!
Those colds I wrote about last week? Through some bizarre twist of biology, they’ve morphed into stomach flu. 0/10 do not recommend.
I am approaching this week’s blog entry with a large amount of bias: I am an English teacher. I teach “text”.
But, as I tell my students, text means a whole lot of things. According to the English Language Arts Curriculum, a text is:
…any form of communication, whether oral, written, visual, or multimedia (including digital media), that constitutes a coherent, identifiable unit or artefact (e.g., poem, poster, conversation, model) with a definable communicative function. It refers to printed communications in their varied forms; oral communicating, including conversations, speeches, dramatizations; and visual communications such as illustrations, video, and computer displays.
So when Bates classifies “text” as simply print media, I’m working against my prior knowledge.
However, I am intimately familiar with text, as Bates describes it. My first love is reading. I have read thousands of books, stories, poems, plays. Books are my one true love (sorry, Nathan). Books are the reason I pursued an English degree and am currently teaching English. What better job is there than to teach what you love?
To hear my mother describe it, I began reading at two years old. Apparently, I had Dr Seuss’s A Great Day for Up memorized.
But that creates an interesting juxtaposition: I had memorized through audio rather than print. Hm.
My first “real” chapter books were my mother’s copies of Nancy Drew and Trixie Belden, which introduced me to all kinds of colloquialisms like jalopy and dungarees. These were quite frequently mispronounced by me, which created never ending laughter for my parents. Again, the juxtaposition of audio and print. Hm.
As for auditory, I’ve begun listening to podcasts while on maternity leave, just to have some noise and other adult voices. Stuff You Should Know is a current favourite of mine. Lots of interesting things to hear, but like Sarah, I find I don’t learn anything. It’s too easy to tune out because there’s no reinforcement of the material, as Bates discusses. Sure hearing about the origins of quinoa is interesting, but do I remember anything from it? Nope.
Another juxtaposition of audio and text. I’m noticing a pattern…
So then, what about video? I love video. I’m a frequent purveyor of YouTube, Netflix, Amazon Prime Video etc. But what I find is that more often than not, I have subtitles turned on. I find it easy to understand what is going on when I can see and hear what is happening. Maybe that speaks more for my advancing age than anything else, but another piece of the pattern: audio and visual and text. Hm.
And we reach computing. It seems to be the amalgamation of all of the above media: “it can combine the pedagogical characteristics of text, audio, video and computing in an integrated manner” (Bates, 2015, 7.5.4). Seems like the perfect solution, no?
Yes and no. I do spend a lot of my (non-maternity leave) days on a computer, interacting with audio, video, and text, whether researching content for a class, modeling, or just exploring. However, using a computing method of teaching/learning requires due diligence and constant double checking.
Finally, social media. Ah, yes. The boon and bane of my existence. I use social media for, well, everything. I crowdsource questions, communicate with my parents who live 3000km away and keep up with the news (today’s Reddit is tomorrow’s Facebook). I really enjoy the collaborative atmosphere of social media and it combines a lot of the previous media. It almost seems a culmination of the other media.
Again, it has its drawbacks, as it can be a time suck and disseminate false information as truth (fake news), as well as create hostile spaces. It takes a bit of teaching and learning in order to use it well and effectively.
But that’s the same with any of the other types of media: they take time to learn thoroughly.
So, to conclude, all of these types of media are intimately linked together, through one way or another. All of that validates the definition of text from the curriculum: it is all this and more.
If you’ve read this far, thanks.
I leave you with a question: how do you decide which type of media to use?